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I came across this photo of a stencil that somebody found in Milan. It was posted on Mastodon by


From this article on Nam June Paik I clicked to an article about Making Buddhist Art Today, a very brief stop which led me to this piece on Installation Art, which led me to this page about the Native American artist Jamison Chas Banks, where I found this short video about his installation at SITE Santa Fe in 2014.

Jamison Chas Banks from SITE Santa Fe on Vimeo.

One says that home plate is stolen in Baseball. The artist compares that to American history and says stealing home is maybe a very American thing. It’s a remarkable installation piece that makes me realize how art installations can be powerful storytelling. This piece is also a reminder that there is a lot of unfinished history that needs to be untangled. Until we do we will always build on top of quicksand.

Interesting how this post creates a circle for me. From Nam June Paik, who I met in Köln, where I grew up, to Jamison Chas Banks, who lives in Santa Fe.

Moon Is the Oldest TV

I love, love, love that title:
Moon is the oldest TV

Amanda Kim’s new documentary Nam June Paik: Moon Is the Oldest TV starts somewhere in the middle. It’s the 1950s, and within the first 20 minutes, we see the artist tranquilly playing a piano composition by Arnold Schoenberg, the Austrian composer who ushered in a new kind of musical modernism. It’s hardly the Paik most people know.

Paik’s wild videos, sculptures, and performances exude a madcap creativity that’s all too rare these days. And so it feels like a relief when, a few minutes later, Paik can be seen slamming his fist against another piano, creating jolting stabs of sound. That’s more like it.

Review: Nam June Paik Sundance Film Explores His Korean Heritage –

Amateurs + AI

The night was cut short when I woke up after three and a half hours of sleep. I read for a while, wrote down a few ideas for Rain Music, and had coffee early, at 0440. At 0700 I left the house to walk.

The act of making music, clothes, art, or even food has a very different, and possibly more beneficial effect on us than simply consuming those things. And yet for a very long time, the attitude of the state toward teaching and funding the arts has been in direct opposition to fostering creativity among the general population. It can often seem that those in power don’t want us to enjoy making things for ourselves -they’d prefer to establish a cultural hierarchy that devalues our amateur efforts and encourages consumption rather than creation. This might sound like I believe there is some vast conspiracy at work, which I don’t, but the situation we find ourselves in is effectively the same as if there were one. The way we are taught about music, and the way it’s socially and economically positioned, affect whether it’s integrated (or not) into our lives, and even what kind of music might come into existence in the future. Capitalism tends toward the creation of passive consumers, and in many was this tendency is counterproductive.

So wrote David Byrne in his book How Music Works.

An Amateur, from the Latin word Amator meaning Lover, is someone who loves to do something that they don’t get paid for. I am an amateur bread baker. Making my own bread for about ten years has given me a greater appreciation for a very well crafted bread from a professional bakery. A professional loaf. Making bread once a week allows me to understand the craft and intelligence that goes into making bread every day. I can marvel at a soft crumb and crunchy crust made with locally sourced flour. I am no longer a passive bread consumer. I am a enthusiastic amateur.

In my mind the above David Byrne quote connects to a podcast I listened to this morning.

But Tchaikovsky’s latest book, “Children of Memory,” ostensibly about crows, read as something very different to me: the best fictional representation I’ve read of what it is like to interact with, and perhaps even be, an artificial intelligence system like ChatGPT.
The Ezra Klein Show: Is A.I. Actually Creative? Are We? on Apple Podcasts


🐈‍💨 is my new emoji proposal for ChatGPT, based on the (already widely mentioned) French pronunciation “chat: j’ai pété” = “cat: I farted”.

It seems to me that a capitalist society doesn’t want to raise smart people, it wants to raise consumers. In a few years AI may well create all of the art, music, and books the consumer could want, and nobody will have to pay royalties to the pesky artists. The biggest galleries/record-companies/publishers will have their own AI and the smaller ones will rent time on available AIs. They will be able to produce unbelievable amounts of content… Perhaps the movie Matrix was right… only, instead of human batteries creating energy for the AI there will be human consumers of AI created content. In the podcast Adrian Tchaikovsky mentions a cartoon of two panels. The first panel shows how humans envisioned the future: a human sits and paints while a robot works. The second panel shows reality: the robot gets to paint and the human works.

I have been thinking about the discussion of personhood for AI. How typically self-centered for our species that a number of humans are already discussing personhood for AI, when systems like ChatGPT were designed to appear as human as possible, while not recognizing alien (to us) intelligences like octopuses or forests.

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