The webpage http://ottmarliebert.com/rose is live now. You can download the music for free, but the musicians involved in the making of this recording invite you to make a tax deductible contribution to Direct Aid Iraq. Read more at the webpage: http://ottmarliebert.com/rose
I hope you will help me spread the word about the album! It is very easy to embed the music on your blog or website, using the SoundCloud widget. Just go to our https://www.ottmarliebert.com/rose/ webpage and click on the embed symbol. It looks like this – I encircled it in red in this screenshot:
Here are a few images from the Lensic performance in June, captured by Colleen Hayes. From left to right: Robby Rothschild, Stephen Duros, OL, Jon Gagan and Michael Chavez.
This, or something very similar, is the back, the CD tray card, of a compilation that Lifescapes is manufacturing and will distribute to all Target stores this Summer. The release date is July 12th. This is the least involved I have been with an album, although I did insist on making a few changes to their running order. I basically gave them a pile of music from my SSRI catalog and let them pick the songs or versions. Lifescapes is licensing the content from SSRI, which means that SSRI retains full ownership.
You will already be familiar with most of the music since Remba is my new title for Untitled Rumba (((which you can also find here – Ottmar-Friends always get to hear the music first!!))), and Dreaming is Dreaming on the Starlight Train (((with the flies removed!!!))) – and both can be found here – although those are different mixes. (((confused yet?)))
Oh, and I think one or two of the songs taken from The Scent of Light are edits, to create a more easily digestible fare.
The target audience for this compilation is, well, the Target customer. I figured the label knows that customer and their needs and wants better than I do and let them pretty much package this however they wanted. They decided to contact Reisig & Taylor, who shot the covers for Leaning into the Night and christmas + santa fe, and picked the above image for the cover. (((that’s the Keith Vizcarra Flamenco Negra guitar with the V-Pegs that I used on most of Leaning into the Night))) The label also came up with the title Spanish Sun (((!!!))) and the description A Relaxing Spanish Guitar Collection.
Jon Gagan, sent all of the music through his magic mastering box, and created a cohesive album that does sound great. (((I think it’s a great introduction to my music for people who have never heard it))) I am told the album will be aggressively priced and will only be available at Target.
May the Mid-West, and everywhere Target reaches, echo with the sound of Spanish guitar music this Summer!
Rode my bike to have breakfast with Jon. Over our usual Huevos Rancheros we discussed this and that. We mentioned that one can either hold on to the days of youth (((so many implant and stretching options to choose from!))), or one can move forward – let’s call it the crossroads of aging. And, ideally that movement forward should be an active and engaging process, rather than a I will simply hold on as long as I can! And then, right after we discussed what aging gracefully might look like we reverted to boys when a tiny bird leaped on our table and eyed us and the scraps on our plates. He flew off and Jon gently placed a single black bean on the edge of the table. Maybe he will come back for that? Do you think they can digest beans? No idea, but he might fly faster. Yeah, like afterburner on a fighter jet! It’ll surprise the hell out of a cat that’s after him…
That’s actually something that reminds me of my dad. Even in his nineties he was always ready for a joke, especially a crude joke.
The older I get the more I want to travel. At some point, and hopefully that point is decades away (((dad flew between Europe and the USA many times in his Eighties))), one turns inward and I imagine it would be nice to have a big warehouse of memories at that point. On the other hand, my maternal grandfather worked 12 hours a day in a factory all of his life, interrupted by two world wars, and he seemed happy.
Remember the end of Blade Runner, where the android is dying on the roof and speaks of the things he has seen…
As Roy’s life fades away, he sits and delivers a brief soliloquy about the experiences of his life:
I’ve… seen things you people wouldn’t believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhauser Gate. All those moments will be lost in time, like tears in rain… Time to die.
Of course, in my view nothing is ever lost, period. Time is a construct and the collective consciousness might catch all (((we discussed this in the comments to Wednesday’s post))). A couple of years ago I discussed it with Genpo Roshi and he called it Storehouse Consciousness. I looked it up and found this:
The Lankavatara Sutra addressed these questions: If there is no self, how can an individual accumulate karma, and where is that karma stored? In response, it described eight levels of consciousness, the final level being a “storehouse consciousness” (alaya vijnana), which contains the karmic seeds of all past experience. When engaged, these karmic seeds provoke deep memories, and stimulate the process by which sentient beings are reborn. If one can break through at the root of consciousness, at this storehouse level, to grasp the emptiness of all categories and things, then the cycles of rebirth and dependent origination can be broken. This idea of a breakthrough realization of the true nature of mind was appealing to Chan thinkers. For them, however, the breakthrough was not to the realization of “pure mind” or some “other” state outside of normal existence.
I’d don’t think a discussion of self vs soul vs karmic seed is very useful right here and right now and rather like the practical approach Chan (((Zen in China))) took – see last sentence in the above quote.
Speaking of memories… Fall 1990. Our first tour, opening for Basia across the U.S.A. Here you see, from left to right: my brother Stefan (((he started the Basia tour as a roadie, but took over as tour manager after my first manager got us into the red by $30,000 during the first half of the long tour – Stefan returned us to the black during the second half by turning us into a lean touring machine: no hotel rooms, no fancy meals, no extras of any kind))), Davo Bryant holding a banana, myself, Jon Gagan and the awful bus driver. The bus was nothing to write home about. An old MCI bus, it lost a bogie wheel as we pulled away from the gig in St. Louis and the air conditioning broke during the hot Florida Summer. But we knew that the Basia tour was the chance of a lifetime. It was offered to us a bonus for signing the contract with Epic Records. I remember that we were not allowed to play Barcelona Nights during soundcheck, because when we did EVERYONE would walk around whistling or humming it. I also remember Basia band members coming to our table during dinner to beg some red wine, since Danny, the bandleader and keyboard player, was a recovering alcoholic and did not allow any alcohol. Since we considered 6 months of dinner without red wine inhuman, impossible and uncultured, they gave in and let me have one or two bottles per night and everyone including Danny’s brother Peter came over to chat and left with vino in paper cups.
This second photo is from 1993. In August of 1993 we had a record-release party at my house to which Epic Records invited sales-managers from the Sony Music Distribution system and managers from record stores like Tower, Virgin and so on. Dinner was catered by Geronimo, which was a new restaurant in Santa Fe at the time. A bartender stood in my kitchen, made margaritas and handed them through the window to the dining area. For a while I thought one should always have a bartender waiting in the kitchen!! My product manager at Epic Records, Al Masocco, told great stories (((he started in the music business when he was 16 and has lots of stories!!))) and everyone had a great time. I suspect that the three of us are somewhat supporting one another in this photo! A tripod is more stable than a biped.
This post is entirely too long… you might want to make a fresh cup of coffee or tea to get through the whole thing. :-)
Got up early yesterday and made my way to the Santa Fe Canyon Preserve to record some critters on the lake.
Unfortunately, although across the lake, two runners were conversing loudly and I had to stop recording – it’s amazing how well sound carries in the thin air at altitude! A little while later a frontloader was started up in the distance and I gave up. I did find a little protected corner, where I was able to record the river.
I took a few photographs and then I returned home. A little while later I rode the Mariachi Bullitt to Counter Culture for breakfast. Among other things Jon and I talked about recording, how many bits make a byte, 88.2 versus 96kHz and so on.
24bits x 96kHz = 2.304 megabits/second = 0.288 megabytes/second
0.288MB/second x 2 (stereo) = 0.576MB/second
0.576MB/second x 60 = 34.56MB/minute
34.56MB/minute x 60 = 2,073MB/hour
for 24/88.2 that means:
952.6 MB/hr (MB/hour) x 2 = 1,905.2 MB/hour
which is just about three times the information that we record for CDs:
16bits x 44.1kHz = 0.705 megabits/second = 0.0882 MB/second
317.5MB/hour x 2 (stereo) = 635MB/hour
Incidentally, I think LPs used to be about 15 minutes per side… that means a regular CD should be able to hold about 20-25 minutes of music at 24/88.2. And, if one were to use FLAC or Apple Lossless compression, one should be able to fit about 40-50 minutes of high quality music on a regular CD!!! Forget surround sound, the next step is to build quality D/A converters right into computers. Forget about CD players, use the CD only as a delivery system (((and backup))).
Here is some news from the always interesting Trent Raznor – I posted this in the Diary this morning and am including it here in case you want to comment:
Reznor is very forthright about the kind of idiots he has in mind. For him, they have ruined the beauty of eschewing record companies in favor of direct contact with real people out there.
Sounds like this saying: I love humanity, it’s people I can’t stand… Raznor has done better than most in dealing with his fans, but one could argue that artists who can make direct contact – instead of working through a large record company are a minority. Being a creative artist and communicating with people are two entrirely different lines of development.
In the NIN forum Raznor also wrote:
Online communities, etc. I had thought a while ago about attempting to start a mainstream public forum that required real verification of it’s participants for purposes of context. The idea was to have a place where you can actually discuss whatever and have some idea of who you’re conversing with.
Of course The Well has been doing this for a long long time:
The WELL – Join Us You know who you’re talking with: As a WELL member, you use your real name. This leads to real conversations and relationships. It’s the individual people here who determine the experience and create the community. This highly collaborative work in progress has been rolling since 1985.
Have you asked yourself how one should transport a goat on a bicycle? Here is your answer.
Other bike news. Bullitt Karaoke!
Copenhagenize.com – Bullitt Karaoke im Berlin So there’s this guy in Berlin. He has a Bullitt cargo bike from Larry vs Harry. He equipped it with speakers, a karaoke system with microphone and a laptop. He started showing up in Mauerpark in Berlin and got some people to sing. It’s now become a cult classic in the city. On nice days you’ll get 1000 people sitting there in the amphitheatre, staring down at the Bullitt and listening to crap karaoke.
Unfortunately the Karaoke Bullitt and the Drinks Bullitt are not in the same city!!
Copenhagenize.com – Probably the Most Sensible Use of a Cargo Bike in History You, like 95% of the nation, are equipped with a mobile phone. You write an SMS that reads:
2x1L.Frozen Mojito
2x1L.Daiquiri
You send the text to a number.
At an arranged time this Bullitt from Larry vs. Harry shows up at the corner entrance to the King’s Gardens. You collect your two litres of Frozen Mojitos and your 2 litres of Daiquiris, pay the man with your credit card and head back to your friends
The cargo bike category was won by a Dane, Nils Jakob „Kvante“ Mørkbak on a Belingy. (((does he mean Bilenky?))) In the top 5 there were four Bullitts from Larry vs Harry. Andreas, from Stockholm, who finished 5th was riding a Bullitt fixie. He’s mad. Hans came in 7th, by the way.
I love the programme wherein you can read this text in the intro:
“Non-messengers are as always tolerated at this event, although leave the excessive posing to the professionals, thanks”.