02024-02-27 | HuHeartDrive, Music, Rain Music
Turn off the alarm on March 1st, the CD won’t be going on sale on that day. :-)
Here is what’s been happening. Found the Verbatim CD upon my return last night. Burned a copy this morning. It played in two out of three of my players. I know that this third player is thirty years old and has always been finicky, but still. I will go over to every friend and acquaintance and will ask them to put the CD into their player to test it… If it plays in everything, great. If not, I will have to rethink. Not many people still have CD players, I have noticed.
I remember always writing with a sharpie directly on a CD-R in the studio but those CDs were used to check the recording or a mix and were not meant to last. The ink probably leaches into the plastic over time. So I’ll probably have to buy blank CD labels that I can attach to the top of each CD for me to write on. I know, I know, I could have these CD made for much less money than what this is going to cost, and having them made will be a last resort, but I would prefer to have the CD look homemade, with a handwritten label.
I’ll keep you posted.
I have been giving a lot of thought to containers, especially as they pertain to music. There is the LP and the cardboard cover. Substantial, legible, large images. Then there are the music cassette and the compact disc, both invented by Philips and Sony. Not much visually, rather small, but nice containers. Part of the joy of these objects lies in opening and closing the container. This action turns listening into a ritual. A ritual must have a beginning and an end. An opening and then the closure. That’s very different from playing something from a streaming service.
What could a digital music container look like? It could be a virtual container or an actual container… perhaps something that has a flash drive attached. Whether the container is real or virtual, it would need a way to open and close it. I am going to work on a flash drive (with regular USB plus USB-C connectors) that comes in a book. Perhaps the drive could be skinny and made to look like a bookmark. Or maybe the drive could be connected to a large paper clip that allows it to be attached to a page of the book. Or there can be a number of pages in the back of the book that have the paper cut away to allow the drive to rest in the book. Maybe I should design the book pages to leave a hole in the center for the drive. Lots to play with, for sure.
What would a virtual container look like? It should open and close. It should contain a virtual booklet. It should be able to play all of the music contained in the proper sequence…
02024-01-31 | HuHeartDrive, Music, Rain Music
Picked up a proof at the printer. It works. Very minimal CD packaging. Might be better if I attached the foam button and CD to a piece of cardboard instead of the insert. It is very much a journey and this is just the beginning of it. Reimagining music packaging for the new era. CD and insert will be signed and numbered. I’ll probably only make an edition of 100.
02023-11-12 | Food, Rain Music, Travel
Arrived in Kyoto by Shinkansen. It’s the best way to travel. I could go on and on about train travel versus planes but that’s for another time.
Walked around and found a little shop that served udon in dashi broth. I noticed another customer at the bar drinking Sapporo and ordered a bottle for myself. Maybe I was thirsty but my immediate impression was that Sapporo beer brewed in Japan is so much better than what Sapporo makes in North America.
I love taking photos at night with the iPhone and these small Kyoto streets have lots of great vistas. 
Posted tick tock (blush) to Backstage. It’s the first track on the album Rain Poems and a good entrance into the record. Medium tempo, interlocking rhythm guitars, albeit no strumming—there is no strumming on the entire album, Jon’s upright bass, and water drops that sound like a clock in the chorus. This morning I made coffee using the Blue Bottle instant espresso which I added to a cup of water with milk that I heated up in a microwave. Improvisation! Not a bad cup of coffee at all! 
02023-11-03 | Backstage, Photography, Rain Music
La Mesita is the 11th track from Rain Poems.
It started with the Saddest Chord Progression Ever. That was followed by this sketch on 30. June.
After listening to the music for a while I decided that the arpeggio was moving too fast. I then recorded it again, playing at half the tempo. This sounded much better to me. I realized that the fast arpeggio played back at half the speed would move at the same speed as the new arpeggio. So I recorded it at half speed–one of the greatest Pro Tools tricks–and added it. The slowed down guitar gives those chords a sense of gravity and adds low tones and fullness.
I had a certain landscape in mind when I worked on this piece and at some point I remembered a photo by William Clift.
This is the image, La Mesita, which is part of the Whitney Museum of American Art collection.
I met William Clift in 1989 or 1990 and bought a bunch of postcards from him and this one was my favorite. I also used one of his photos in the booklet of the 1991 album Borrasca. William Clift mostly works with a large format analog camera. Imagine walking through the landscape with a large format camera on a tripod and carrying a bag with stuff… film, light meter, etc. The dedication, contemplation and experience! He has a gallery in Santa Fe, at 203 East Palace Avenue.
02023-10-27 | HuHeartDrive, Rain Music
Posted another track from Rain Poems to Backstage. It’s track number 5: Amaryū (for Ryuichi Sakamoto)
Also posted this little note about my new freedom to spell… :-)
Perhaps you wondered why some of the titles for the new album contain only lower-case letters, like dreamy afternoon for example. Well, Apple Music, and all the other streaming companies, want the look of their presentation to look uniform. They insist that all titles are capitalized. They will also change titles according to their style sheet. Thus my album Waiting n Swan was turned into Waiting ’n’ Swan. First they take away the freedom to lower case, then they make us conform to their spelling rules… what’s next? :-)
I don’t have to deal with them anymore and now I can write things any way I like. And that’s why the titles for music on Rain Poems are capitalized according to my whims.
02023-09-28 | HuHeartDrive, Music, Rain Music
Burned a CD of the album and am listening on an old and familiar system to check the relative volume of the tracks. Plus it’s a habit that is decades old. An album is done (or kinda done) when I have a CD of it. I remember listening to albums on DAT (digital audio tape), a prehistoric recording format, at home. In my car I would listen to Mini-Discs (a rather brilliant idea that was terribly executed by Sony) until we got a CD burner in my studio in the late 90’s.
The other day I thought it would be cool to have a 12×12 inch cardboard, which is the size of vinyl LPs, with the cover image on the front. On the back there would be credits and titles and a little foam button that holds a CD. Mailing this might be a pain but there should be LP mailers available that it could be shipped in.
