Commentary Conversation

This is the conversation that took place in the comment section of Eno View, my post about an interview on YouTube that Brian Eno gave to Zane Lowe. Did anyone get that ENO VIEW sounds like INTERVIEW? Probably not, it’s just me… :-)

Steve commented and I replied and he replied to my reply. I think it’s an important subject that affects us all. I asked Steve for his permission to turn the comments into a post. He agreed. Have a look…

Steve on 02025-03-27 at 9:04

I really like Eno’s take on capitalism. I think about capitalism often. And I think it’s part of the problem … if not the entire problem his take that the design optimizes for very negative things, and I can’t help but agree … However, playing “devil’s advocate”for a bit …

I spent multiple decades in the semiconductor industry. The costs back in 1983 were high, but TODAY?

The cost of a modern fab is so astronomical that it’s hard to imagine any system other than capitalism pulling it off. We’re talking $20 billion+ per fab at the cutting edge, with individual machines (like ASML’s EUV lithography systems) costing upwards of $300 million each. The sheer financial scale means that any alternative system has to answer a brutal question: who takes the risk, and how do they get rewarded?

TSMC has nine (9!!!) fabs in Taiwan alone … their capital investment is on the order of $200 billion. Who else is going to do that?

And modern life as we know it would be impossible without semiconductors—and by extension, without the capitalist system that built them.

Take away advanced semiconductors, and we lose nearly everything:

  • No modern computers or smartphones.
  • No internet, because servers, networking gear, and fiber optics all rely on silicon.
  • No advanced medical imaging (MRI, CT scans, ultrasound)
  • No GPS, meaning no modern transportation or logistics.
  • No advanced power grids, which rely on microcontrollers, sensors, and power semiconductors.
  • No modern industry—factories, automation, robotics, and even agriculture are all deeply dependent on semiconductors.
  • Even cars would revert to mechanical-only systems, and the global economy would be thrown back to the mid-20th century (or earlier).

A world without semiconductors isn’t just “slightly less convenient”—it’s a collapse of nearly every major system that keeps society running.

From a musician’s perspective, no synthesizers, no recording equipment: even tape based multitrack relied on discrete semiconductors.

Looking at history, capitalism wasn’t the only system that tried to industrialize, but it was the only one that succeeded in pushing semiconductor tech to where it is now. The Soviet Union, for example, had a state-controlled electronics industry, but it lagged behind Western semiconductor development by at least a decade—and that gap widened over time. Even today, China’s state-driven efforts haven’t been able to break free from reliance on capitalist supply chains.

The fundamental problem is that semiconductor development requires insane levels of risk-taking, competition, and specialization. Every node shrink, every new fabrication process, and every innovation in chip design comes from a brutal process of iterative failure, financial risk, and cutthroat competition. Governments can throw money at it, but they struggle to match the efficiency of private-sector-driven innovation.

I mean … mind you, I am no fan of what capitalism has become, but modern life would be impossible without it … maybe people wouldn’t mind going back to the 1940s though. We’d certainly have to revert back 85 years … and people would have to learn to read paper maps again. :^)

ottmar on 02025-03-28 at 9:06

It is completely understandable that an an engineer would love the development of chips in the last fifty years. It is indeed impressive and remarkable. But it has come at a cost. I would point out that all of that incredible progress you described has in fact pushed us closer to the edge. Species extinction, climate change, AI use of electricity, all these are related. And the real bottom line is that people aren’t happier. People die younger than they did thirty years ago. Social media, doom scrolling, looking for the next dopamine hit, the rise of fascism all over the planet, and more inequality that ever… I’ve seen comparisons that show inequality is worse than at the time of the French Revolution.

We are not very good at taking the long view, are we? We charge ahead and then hope to fix things later. We get so drunk on our power that we miss the exit ramp and suddenly we hurtle down the path so fast…

Steve on 02025-03-29 at 9:46

We are not very good at taking the long view, are we? We charge ahead and then hope to fix things later. We get so drunk on our power that we miss the exit ramp and suddenly we hurtle down the path so fast…

The root cause of this seems (to me) to be what Paul Humphreys calls “epistemic opacity” from his book “Extending Ourselves: Computational Science, Empiricism, and Scientific Method.” – i.e., “processes, systems, or knowledge structures are not fully understandable or transparent to human cognition, either due to their complexity, inaccessibility, or the limitations of human reasoning.” ( I would add “greed” but Humphreys didn’t)

At least, that’s the nice version. The not-so-nice version is we don’t care about the future and future consequences … as an aggregate species. We’re just not interested. At least that’s how it seems from my seat out here on the plains in “flyover country.”

But also … Those of us that are in science and applied science (engineering) really don’t consider future consequences due to this epistemic opacity. I don’t really think all those scientists involved in the Manhattan Project were evil … I just think they didn’t really have an appreciation for what their work would propagate into the future. Same with computers: all that was being looked for was a way to switch telephone calls faster as the telephone network grew. And the same is true of the internet. When I got on it there were ~800 nodes on the whole thing … world wide. No one contemplated “social media” … all we wanted to do was exchange files electronically instead of mailing 9-track data tape to each other via UPS.

So … all the things you list:

… Species extinction, climate change, AI use of electricity, all these are related. And the real bottom line is that people aren’t happier. People die younger than they did thirty years ago. Social media, doom scrolling, looking for the next dopamine hit, the rise of fascism all over the planet, and more inequality that ever… I’ve seen comparisons that show inequality is worse than at the time of the French Revolution …

To be honest, I cannot disagree with anything you wrote.

As a 23 year old newly minted BSEE/CS student, I was gonna do all kinds of “cool stuff” … The (technical) world was “my oyster” and all that … design new devices with exotic new materials … super quiet amplification devices with infinite bandwidth … blah, blah, blah … That was 42 years ago. But … four+ decades is a long time, and things definitely went sideways: the big HARD pivot took place at two significant points in fairly recent history- 1995: The National Science Foundation decommissioned NSFNET, and private companies (like AT&T, MCI, and Sprint) took over the backbone of the internet, allowing full commercialization. This facilitated what took place a decade later: Facebook, YouTube, Twitter. And here we are. It is not coincidence that most of what you indicate above has taken place between 1995 and today. (Well … except for climate change … that one has a much longer event horizon going back to late 1800s)

I think it will get much worse before the trajectory changes direction in the slightest. Which gets back to what Eno says in the interview: if you optimise a system for a specific thing (such as “engagement” or “profit” instead of “happiness” or “human improvement” ) don’t be surprised if you get extreme negative externalities.

ottmar writing today 02025-03-29

This is the gold right here:

If you optimize a system for a specific thing (such as “engagement” or “profit” instead of “happiness” or “human improvement” ) don’t be surprised if you get extreme negative externalities.

We optimized the system for profit and for profit only, without regard for health or happiness, ours and nature’s.

Steve writes about epistemic opacity and that humans don’t seem to care about future consequences. I think originally that was a feature, not a bug. It enabled humans to deal with being conscious, of knowing that we will die, that the next earthquake may be fatal, that the volcano might erupt, that the next tsunami might wipe us out… Life is dangerous. It was good to be able to put those thoughts out of mind and move ahead anyway. Now we have to grow up. We are the biggest predator on this planet. We created machines that can pulverize this planet. There are nearly 8 billion humans. We can’t just plow ahead any longer, we need to make plans, think ahead, consider the future. Not just our future but the biosphere’s future, too.

Let me try a different angle. When there was only one car in a town, there was no need to create traffic laws. The traffic light was invented when many cars were on the road and accidents killed too many people. The more cars on roads, the more laws we need. You want total freedom… we will need to get back to a population of about half a billion for that to happen. More people means more laws, more rules. Just like traffic laws were created to deal with cars, we should have created rules for social media. Instead we let their creators become billionaires by optimizing their businesses for unhappiness… I mean for engagement and profit, of course. We let that horse run too far.

I have often thought that humanity is in its teenage phase. There are a lot of hormones and we don’t quite know how to act, what to do. What is right? How do we begin to take responsibility for our actions? How to we get rid of that plastic in our brain and in the ocean. We grow up. We put on our boots and gloves and we get to work.

Wednesday in Santa Fe

I feel real pity for musicians sometimes | Beyond The Beyond
I feel real pity for musicians sometimes

*I mean, look at this mess. Listen to it. What the heck is left of them and their craft of music? Every aspect of production, distribution, socialization even, has been virtualized and network-distributed. Musicians have really been close to the fire there for a long time. And their troubles aren’t over, either, not by a long chalk.

*When someone chooses to halt this potentially endless digital process, a stream of ones and zeros reverberates out of a speaker somewhere. Although that artifact still strikes the human ear as music, it’s got about as much to do with analog music as an ocelot-patterned synthetic rug does with an ocelot.

I can dig that, but there is a satisfaction and joy musicians derive from playing old-fashioned analog instruments that I can’t imagine a writer to understand. Words are intellectual, they don’t contain the kick to the belly that a turn of melody or a chord change or a rhythm can give the musician. No sir, I’ll take struggling as a musician over hitting a typewriter any day. Your job is solitary, lonely, and you have no idea what it feels like to play in a group.

While it is true that music production and delivery has been digitized, that is only partially true for the actual making of music. Sure, there are plenty of all-digital keyboards and there are samples of french horns, but to actually play a french horn you still need training, experience, and lips that form the tone through the mouth piece. And while in many cases the digital french horn sample will suffice, often it does not and a player has to be called in to give a phrase life and meaning.

He ends with:

*Okay, fine. What’s done is done, right? But now have a listen to this — especially the sequence around and after 2:20. Do you hear how warm and flat and squinchy that music sounds — kind of stretched, somehow, and especially the very disturbing background rhythm under the drums, that is subtly drifting out of phase? That music could not possibly be created with human hands. That is Brian Eno manipulating analog tape loops. Yes, ANALOG tape loops, with STRIPS OF RECORDED PLASTIC. In 1974. You can still pick up an acoustic guitar and learn to play it, but you can no longer get THERE from here. The high-tech studio of 1974 is dead-media. You’re about as likely to find music of this kind now, as you are to find a jaguar stalking around downtown Mexico City.

Yes, true, but not a big deal methinks. Soon one might be able to use an iPad to control phasing-shifting. Originally phase-shifting was done by using two tape-machines playing back the same music. The proper term is actually flanging. If not properly maintained the two machines would drift apart and if this was done with studio tape recorders, the engineer might help the process by laying a hand on one of the reels, thereby slowing it down a tiny amount… I believe flange is an English term for the reel that contains the audio tape.

A great example can be found on the Roxy Music album In Every Dream Home a Heartache – the first side of the LP ended with a long phase-shifted guitar solo by Phil Manzanera. (((I watched this being performed live on German TV, with Eno using two Revox machines connected to foot-controllers that slowed down and sped up the machines. He was balancing on these foot controllers and I was marveling at Manzanera being able to keep playing with all of this happening…)))

Another thing worth pointing out is that flanging was a studio technique, not a musician-expression. It was an idea producers came up with.
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If you have any interest in Apple products or smart phones in general, you might have heard about the 4G iPhone that was stolen and outed by that rag Gizmodo (((now deleted from my RSS feed))). The best summation of the events can be found on Daring Fireball today, though this article is also worth reading and I love this post about the design. Since I am a huge Dieter Rams fan, (((a genius and arguably the most influential designer of the 20th century))) I love the new design and look forward to replacing my “old” 3G with the new phone when my two-year contract is up in September.
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There is more I want to write about, but I am running out of time. I am leaving at noon for a gig with Michael and will be back on Saturday. Won’t take my laptop.

Pop Music Is Like The Daily Paper

Pop Music Is Like The Daily Paper
“When I finish something I want it out that day,” says Eno later, in a phone conversation. “Pop music is like the daily paper. Its got to be there then, not six months later. So we decided to release on our websites first, then put it on the commercial websites, then as a CD, then with different packaging. It’s just trying to see what works. The business is an exciting mess at the moment.”

From this article in the Guardian.

As usual it’s in the air and many musicians are picking up on it.

That’s why I started our subscription service. To share music from the archives as well as live-recordings, but also to introduce new stuff I am working on – immediately. (((like the Tears in the Rain recordings in 2006))). If I am excited about a new solo or band recording I want to share that at once, even though lots might change between that and the official release. It also allows you to witness the process of recording and then honing a piece of music, and note what changes and what does not.

Evolution of Music

Edge 275
In this EdgeVideo, evolutionary biologist Armand Leroi reports on his art/science conversation and collaboration with musician Brian Eno which began when the two sat next to each other an an Edge dinner in London. The dinner discussion began with evolution and music, proceeded to the evolution of music, and led to the following question: has anybody attempted to reconstruct the history of human song? People around the world sing in different ways. Is it possible to retrieve that history. Can we do for songs what we’ve done for genes, for language?