02010-03-12

Jon and Robby will come by at 10:00 to record percussion on two or three songs. I have rough mixes of every song – there are eleven – and am listening on every pair of headphones and loudspeakers I have.

Record Labels: Change or Die – record labels – Gizmodo
In any case, 360 deals and general diversification are what big labels such as EMI are looking to move into, according to Billboard’s Glenn Peoples. “They’re definitely diversifying and they’re actually getting into agencies, artist management, concert promotion. There’s really no area that the four majors are not pursuing right now.”

Old news. I said that ten years ago. I think I wrote then: when there is no need for manufacturing, warehousing and distribution, record companies will become media-management companies. They will manage every aspect of an artist’s career.

02010-03-17

This is what I sent to Jon:
Some kind of opening-chord, a mood-setter intro for “On the Road to Shiraz”. An intro to the intro. Something that might sound like dawn in an Arabic countryside w/o being too literal (((i.e. no arabic scale or quarter-tones))). Perhaps a grainy texture, representing sand, but also sweet, like dates and figs.

Isn’t that evocative! And how did Michael figure out where to play the tom-hits at the beginning of the first chorus, when we worked without a click-track and we could not see each other? That kind of wonderful stuff starts happening when a band works well together.

Played with an image and the title on my laptop Wednesday evening… I captured the image across the street from Infinity Hall in Norfolk, when we played there last Spring.

02010-03-19

I heard this one decades ago, but maybe you haven’t:

Detritus 33
Warning! Muso joke: What’s the difference between a rock guitarist and a jazz guitarist?
A rock guitarist plays three chords to thousands of people, while the jazz guitarist plays thousands of chords to three people

(Via the music of sound)

How do guitar players change a lightbulb? One climbs on the ladder and changes the bulb and 99 other guitarists proclaim: “I could have done that!!”

02010-03-20

…and the djembe calls the villagers together, who march under a moonlit sky to a faraway place on the plain where they…
A) beat the crap out of an elephant poacher!
B) witness in silent amazement a firefly that flies backwards!
C) sit under a lone tree that has iPads instead of leaves!

It’s the last chorus and ending of “Backwards Firefly”, track number 7.

02010-03-21

We had more snow in the afternoon and experienced two blackouts during the snow storm. Yes, the UPS in my studio work well. Everything stayed up and running. (((what a studio needs: 1. isolation transformer – so you don’t hear when your neighbor turns on his table saw, 2. uninterruptible powers supplies – so that a blackout or brownout doesn’t take your computer down, 3. a solid sync clock – because a computer is not a solid enough timing-device! Jon uses the Big Ben and I have an Aardvark. Three of the most important basics, so often overlooked!)))

In the afternoon I worked on cover ideas and did a bunch of house-keeping – e.g. determined ISRC codes for the new songs, catalog number for the album and so on and on…

In the evening, more snow…

02010-03-22

While the rest of town didn’t get much snow I woke up to about half a foot of new snow this Morning. The first day of Spring: cold, blue skies, sparkling, dazzling snow. Ran to the studio through the snow, in Crocs, to add a couple of new parts Jon had uploaded.