Who in the world wouldn’t want to stroll along Vico Amandorla? It’s a name that smells like a promise, as soft as marzipan, as mature as liquor in forgotten casks, in the cellar of a faraway monastery where the last monk died twenty years ago one afternoon with an innocent child’s prayer on his lips in the cloister gardens, in the shadow of an almond tree, as happy as a man after a rich dinner with dear friends. Say the name quietly if you are afraid and you won’t be afraid anymore: Vico Amandorla.
— from “La Superba” by Ilya Leonard Pfeijffer
That middle sentence! Mr. Pfeijffer has won best sentence in the Dutch language twice.
This was the sunrise as I was leaving Santa Fe.
This is a true tale about music distribution, help desks, upload limits, and file quality, with a happy ending.
Last week, in Lisbon, I wanted to upload the next single for digital distribution. The upload was ended by the warning File size limit 100MB. This was odd, I thought, because just last month I had uploaded Saudade, which was a little over 100MB in size. I sent a note to the help desk asking whether the 100MB was a newly imposed limit and wouldn’t 150 or even 200MB be a more reasonable limit in order to encourage high quality files. A couple of days later I received this reply:
We strongly recommend uploading 16-bit, 44.1kHz stereo .wav files, as this is the distribution standard across streaming and download platforms. Please note that if you upload .flac, .mp3, or .m4a files, we will convert them to 16-bit stereo .wav files to meet requirements, which may have an impact on sound quality.
Strange, I was pretty sure Apple Music claimed that “Saudade” was Hi Res… I checked and found this:
I had uploaded a 24/88.2 FLAC file which Apple Music converted to their proprietary ALAC format. That was to be expected and it was still 24/88.2!!Good.
It occurred to me that United Masters might have, with one fell swoop, not only limited uploads to 100MB but also limited distribution to only 16/44.1. This didn’t sit well with me because Tidal subscribers want to get hi res files… that’s why they pay a higher subscription rate. I would want them to get the highest possible quality.
When I thought about this some more, I decided maybe it wouldn’t be so bad if streaming was limited to 16/44.1 because it meant that in order to play higher quality files one would have to buy the album on Bandcamp. Modern music distribution is complicated, which is why I came up with the crazy idea to make music valuable and somewhat exclusive again by ONLY delivering it to members of my Backstage subscription. (Link to that post)
Meanwhile I received another email in response to my request for clarity:
Please note that we are not delivering your files as described above. Apple Music is working through the content that is available on their platform and converting them to ‘Lossless’.
Our product team is always making updates to better suit the files/content we receive, however, at this time, we advise uploading 16-bit, 44.1kHz stereo .wav files, since it’s the distribution standard. That said if you upload .flac, .mp3, or .m4a files, we will convert them to 16-bit stereo .wav files to meet requirements
Our platform is mostly geared towards Rap/Hip-Hop artists rather then Jazz musicians, therefore, these are the guidelines we are asking artists to follow at this time. We apologize for any inconvenience this may cause you.
Wow, this was getting even stranger. It sounded as if they had never accepted hi-res files, never distributed them, and that Apple Music hadn’t used them. We are geared towards Rap and Hip Hop rather than Jazz musicians. Well, Hip Hop is a lot more popular than Jazz… but Jazz, or World, or Classical music can have a longer shelf life…
I asked whether these were new requirements that were put in place within the last few weeks. And then I received a reply from another person, who clearly know more:
I checked our delivery platform and, as you say, the audio file that was delivered to music services for your most recent release, “Saudade (Bare Version)”, was 24 bit/88.2 kHz (and it looks like it was a little more than 100 MB in size).
That is correct.
My understanding from our engineering team is that they did impose a 100 MB limit on audio file uploads, but this doesn’t mean that anything was automatically downscaled, just that users who tried to upload a file greater than 100 MB in size got an error message (as you did).
And we asked the engineering team to bump that limit up to 150 MB, so you should no longer be having an issue uploading a file up to that size
Nice. 150MB will work for nearly all individual song files.
Re: the standard recommendation to upload 16 bit/44.1kHz files – that is actually meant for users who are trying to upload files with quality that is too low (which is much, much more common than users uploading files with quality that is too high), so apologies for any confusion there.
Ah, the first help desk person was probably following a script and didn’t actually know much about the workings. That happens.
Today I uploaded the next single and had no problems. Release date is 26 August.
These shorts would be perfect for carrying two cats. Or groceries. Or ten breakfast burritos. In each pocket. Also good for anglers?
Friday 29 July 2022 – The Monocle Minute | Monocle:
This week, Portugal’s government moved to relax visa restrictions for fellow Lusophone countries, while Germany is reforming its immigration system to ease its worker shortage. Japan, however, continues to suffer from an ageing yet historically immigration-averse population.
Without immigration, we’re all heading in Japan’s direction. UK census data shows that there are now more people aged 65 and over in England and Wales than children under the age of 15. Despite this, the contenders to be the UK’s next prime minister seem resolutely anti-immigration, echoing the political debate that has been seen in both France and the US in recent years. They should instead be making a positive case for the more considered and systematic immigration policy that’s clearly needed. Wealthy nations face a stark choice. Following the lead of Portugal and Germany by becoming more hospitable to foreigners would be a good place to start.
I love that word Lusophone, because it sounds like a musical instrument, some kind of large horn perhaps.
Here is a paragraph from the book “Grand Hotel Europa” by Ilja Leonard Pfeijffer
Those who believe they are suffering tend to blame people who are suffering even more. The weak are generally gunning for the even weaker. And the fact that there are hardly any boat refugees or other African immigrants in Venice may not form an impediment to identifying them as the source of all evil.
Separatism arises from a nostalgia for better times which may or may not have actually existed. It’s tempting to think that the solution to today’s problems might be to turn back the clock to a time when those problems didn’t yet exist. This is the lure of right-wing populism, which in essence is nostalgic. Discontent and fears are roused, stoked up and magnified, and then an idyllic, idealized past is presented as the solution. We need to close our borders again, bring back our quaint old currency, let church bells ring and shut down mosques, restore military service to its former glory, sing the national anthem and fetch our former decency from the attic and polish it until it is a shining beacon in the dark night.
When I hear people talk about the good old days, and how simple things used to be, I think they don’t actually mean a certain period of time but a particular stage in their own life. The life of a five year old is indeed simple. Your parents tell you what to do and they love you, feed you, give you shelter – if things go well for you. As we grow up, however, things should change, in fact they need to change, because increasing consciousness leads to increasing complexity. Now the simple lines, that were once drawn with a sharpie, gain modulation, become pencil drawings that grow bolder here and finer there, because graphite pencils have 16 degrees of hardness. Eventually color is added, for even more variation and complexity. When people say that they want to return to a simple life I think they really mean that they want to go back to being a child.